Showing posts with label painting challenge. Show all posts
Showing posts with label painting challenge. Show all posts

Saturday, March 2, 2019

February Challenge - An Artwork Inspired by a Song or Poem

For our February challenge The Pieces of 8 were to create either a work of art based on a song or poem...or even a song or poem based on a work of art. How one meets the challenge is an individual choice. Here's how some of our members responded.
Carol's response to the challenge.

"A Call From Mother" by Carol Schiff
16x20" Oil on Canvas

A Pirate Looks at Forty
Mother, mother ocean, I have heard you call
Wanted to sail upon your waters since I was three feet tall
You've seen it all, you've seen it all
Watched the men who rode you switch from sails to steam
And in your belly you hold the treasures few have ever seen
Most of them dream, most of them dream
Yes I am a pirate, two hundred years too late
The cannons don't thunder, there's nothing to plunder
I'm an over-forty victim of fate
Arriving too late, arriving too late
I've done a bit of smuggling, I've run my share of grass
I made enough money to buy Miami, but I pissed it away so fast
Never meant to last, never meant to last
And I have been drunk now for over two weeks
I passed out and I rallied and I sprung a few leaks
But I got stop wishing, got to go fishing, down to rock bottom again
Just a few friends, just a few friends
I go for younger women, lived with several a while
Though I ran them away, they'd come back one day
Still could manage to smile
Just takes a while, just takes a while
Mother, mother ocean, after all the years I've found
My occupational hazard being my occupation's just not around
I feel like I've drowned, gonna head uptown
I feel like I've drowned, gonna head uptown
Songwriters: Jimmy Buffett
A Pirate Looks at Forty lyrics © Universal Music Publishing Group
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Carmen's response to the challenge.

 "Moon Over Miami"

 Moon over Miami,
Shine on my love and me,
So we can stroll beside the roll
of the rolling sea. 

Carmen Beecher

www.carmenbeecher.etsy.com
www.carmenbeecher.com

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Kathy's response to the challenge.
My time for art has been short since September. I've been traveling and also inventorying my Mom's household. She was a graduate of Moore Institute of art, mother of 9, and a talented artist and art teacher. Right now I'm inventorying her overflowing art bin that she gave me three years ago and was so full I never even tried to open it. Here's a look at just her silk screens completed between 1980 and 1986 when she decided to take some serigraphy courses at my old alma matter GWU.
While excavating, I found some prints that only had two pulls (most of hers had at least 15 and some up to 26). It was obvious she didn't finish. But they were printed perfectly and I found them inspiring. So instead of finishing my planned ode to Tchaikovsky's "Dance of the Young Cygnets" that I started for this challenge, I decided to turn on some Mozart...a favorite for both of us ... and watercolor on top of her silk screen. I should have known the oil based silkscreen ink would reject the watercolors! So, I pulled out some art markers and just let the music and Mom's original guide me.
On the left above is one of 13 similar prints I found. On the right is my marker effort on top of another of the same print after about 45 minutes. I wasn't sure if the circle towards the top left was intended to be the sun or a flower. But the music was playing and my markers were dancing away to it. It sort of looks like both. (I highly recommend something fast like markers for Mozart's music! If watercolor would have worked, I probably wouldn't have been able to keep up.) Below is the finished combination - "Me and My Mom on Mozart."  (Click on any image to enlarge it.)


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Donna's response to the challenge.

I have an old poster in my bedroom of Madame Butterfly.  She has survived many moves and style changes because I love this opera so much.   I see her every morning.  Her back is to me and she is gazing out thinking of all she gave up but  knowing in her heart that Pinkerton loves her and will return, sigh.  I am so used to her I didn't realize how powerfully the aria "un bel di vedremo" affects me and anyone else who has heard it until I saw a Gauguin painting which reminded me of my poster and that aria.  This young girl is sitting looking into the distance, alone amid a group of women. I can't help but wonder if her heart is breaking waiting for her American sailor to return.

Siesta after Gauguin

Donnavinesart.etsy.com
donnavinesart.blogspot.com


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Fay's response to the challenge.


Sunflowers 1877  Vincent Van Gogh
Metropolitan Museum of Art

For this challenge, I have reverted to my most insistent creative instinct. I have reversed the February challenge and written a poem based on a  painting.

Twin Towers 

Who can blame the sunflower?
Its energy, its inspiration,
its color, its form.
The way it reflects cultures.
Inspires painters, photographers.
Monet, Gaugin, O’Keefe. More.

In Sunflowers, 1877,
Van Gogh captured essence
with only two blooms.
Made beautiful the simple,
the imperfect, the spent.
Revealed the past is
always present in the future.

An image comes back.
Simply. High in the Alps,
my friends, my husband, me,
each in turn, set one foot on either side
of a low stone which still separates
Switzerland from Germany.

A field of Swiss cows,
their brass bells, their low bleating,
broadcast their heavy pleasure.
An endless field of sunflowers,
each head turning (gira sole)
to follow the sun.

How could we blame that field, that lullaby,
that feeling of a world at peace?
How could we blame that moment in time
for what was to follow?
Just another beautiful September day.
That is, until it wasn’t.

 Fay Picardi


 

Tuesday, May 1, 2018

Challenge for April, My Favorite Little Piece of a Painting

The challenge is to take a small piece of a painting, and do a new painting based on the small piece.

I visited the Biltmore Conservatory, here in Asheville, and found inspiration, in every direction!

Purchase Here

This painting captured the spirit of the gardens, but I felt
it was too fussy for my taste.


Contact me to purchase a print

So I went back to my photo reference and focused on a small area, tightened up my painting and came up with this.

Purchase a giclee print here
But wait!  I still had more to say.  I returned to my photo reference, picked up a larger brush, and decided to go abstract.  I started by placing spots of color.  As I painted, it tightened up until it resembled flowers.  I stopped before I said too much.

Which do you prefer?



Carol Schiff
www.CarolSchiffStudio.etsy.com
www.CarolSchiffStudio.blogspot.com


Purchase here


The painting I chose was more of a seascape than a figurative painting, so I emphasized the child in my new little painting. Below is the original.

Carmen Beecher
carmenbeecher.com

Challenge for April




This was a strange idea for a watercolorist.  I often do several small studies for a large painting, so this was the opposite.  "Dahlias" was painted some years ago and hangs in a friend's bedroom.

For the small painting I chose one flower from the original to paint.  I sent it to my Granddaughter for her birthday as soon as it was photographed.

Mary Warnick


I looked through all of my old paintings and I could not seem to find one that inspired me but I did have an idea.  What if I tried painting one of my collages.  That really intrigued me.  Collages can look like a painting from a distance but when you get closer you see all of the different elements that make up a collage.  You want a painting to be seamless almost effortless the opposite of what a collage is. 

The torn look of lights and shadows are done with different colors of the same paint in the painting. With different colors of the same paper in a collage.

When you look at the painting it is almost jarring.  I did not do the writing but maybe I should have because it adds a lot more to the spirit of the collage than I realized.

donnavinesart.Etsy.com

Flying Aardvark
Watercolor and Ink
6" x 6"
This image came from a friend's large ink drawing. She cut it up and gave everyone a couple of squares. It was black and white and entirely abstract. This little creature jumped out at me, waiting to be created in color. I love how one can take an abstract image and "see" things to bring out in it. Also, it is a learning experience to look at part of something you created and recreate it in a different way.
Jean Thomas
ozworks22@cfl.rr.com

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I'm still working on this challenge because I'm really slow at calling my acrylics finished. The original is a painting of some beautiful orchids growing in a tree in my brother's yard. It's 20x20 and I started it two years ago and am still not finished playing with it.


I found a section in the lower right corner that I thought would make a good small abstract. Below is the current state of that section painted on a 14x11 art panel.

Kathy Garvey

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Several months ago I posted this finished collage of Majorca. 


My favorite  of this work is the section with the sailboats. In the original, the large sailboat is from the face of a clock and the shadow is a parrot.


In my recent collage of that detail, I used rose petals for the sails, a washed silk dress for the water, an designer dyed alligator handbag for the sand and an excerpt from Leonardo da
Vinci's notebooks for the sky. I love choosing not only the colors and forms for my collages, but 
also using juxtapositioning of surprising and diverse subject matter. 


Fay Picardi

Wednesday, January 31, 2018

JANUARY CHALLENGE - ABSTRACTION


Our January Challenge "Abstraction" entries from Cindy, Donna, Carmen, Carol, Jean, Kathy, Mary, Denette and Fay are below. Such a variety of expression...read all about it! (Click on any image to enlarge it.)

ABSTRACTION is really a complicated art form...practically you have to know how to draw and compose a realistic piece before you can successfully de-construct it into an abstract form.  The years of hearing folks declare "my five year old could paint that" lead me to believe it was a matter of slinging paint Jackson Pollack-style.  Not so fast....!  I've never taken the time to study the process carefully but now and then I "dabble" in abstraction as a way to learn more about what does NOT work.  Lately I have been playing with abstraction in tones of white.  Here's a small sampling of what I had come up with:


Cindy Michaud
contact me at: art@cindymichaud.com

eh? not bad...but then again....I'll keep trying!  I do think this is a more difficult genre than most folks think.

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Abstract Art is much harder than it looks and appeals to different people for different reasons.  I really love abstraction for it's use of color.  Sometimes as an artist and as an art lover I just want to see color.  Color can be very powerful, color evokes lots of emotion, lots of memories so it can represent anything to the person looking at it. 
This painting is an abstract interpretation of a marsh scene using just color.  The real joy of abstract is it can be one thing to the artist and quite another to the onlooker. 



The Marsh

 Donna Vines

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Greenleaf, 4"x4.5 "
This is my favorite abstract I've ever done. It is poured acrylic on wood, and it's tiny and shiny.

Carmen Beecher
https://www.carmensart.etsy.com
https://carmenbeecher.blogspot.com/

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Point of View
sold
Oil on Panel

I like the color, composition, and texture in this piece.

Carol Schiff
www.CarolSchiffStudio.etsy.com
www.CarolSchiffStudio.blogspot.com

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The challenge of abstraction got me thinking about all of the ways we are pulled by electronic media. I have a love/no love relationship with digital media. For example, I love the Adobe programs and admire that they were developed by human beings and creative thinkers. Illustrator is my favorite. I created the artwork above using it. This was an exercise in repetition, pattern and rhythm. Also, it represents how you can get overwhelmed by all the parts if you open the box. Enjoy!

 Jean Thomas

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I enjoy an occasional abstraction! Some people say all my designs are abstract since I don't ever paint anything in a realistic manner. But, to me, an abstract has no easily identifiable representation and is open to anyone's interpretation. The above was created in Illustrator and then taken into Photoshop. I call it "Signals from Another Planet" but you might see something else.

Kathy Garvey
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Several years ago I took a watercolor workshop with John Salminen. I thought it would include his wonderful street scenes, but it was all about abstract. It was fascinating and involved. Later I played with simplifying his methods, but always remembering his advice. This is a fairly recent painting I call "Warm Abstract."

Mary Warnick
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This is as close as I get to abstraction! Red by Denette Schweikert
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I am so impressed by the creativity of my colleagues in this challenge that I hesitate to post my own. In the collage below, I am following up on my November value study of the Appalachian Mountains.  As you can see, this one uses geometric shapes to represent the mountains. You will have to use your imagination to make these mountains recede into the distance. The colors are not just right, but the papers were at the ready. In any case, it is fun seeing how my sketch translates into triangles, etc. 


Fay Picardi

Saturday, September 30, 2017

Pieces of 8 Challenge #6 - Nourish

Our challenge this month is "Nourish".   Enjoy!


This painting nourishes my soul.



Poured Paint with metallics
6x8"
Carol Schiff
www.CarolSchiffStudio.etsy.com

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I always think of nature in the context of "nourish" for so many reasons.  In addition to the fact that the nature does an amazing job of providing nourishment to the animals, plants and humans that live here, just being outdoors does a lot to re-nourish people emotionally.  So for "nourish" I painted the start of one of my favorite hikes up to Rich Mountain in western NC.



The Golden Hour
17 x 11, oil on canvas, framed
art@cindymichaud.com

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A little nourishment for the body and the soul.  I was in a pure color frame of mind so I decided to pay homage to one of my favorites, Cezanne, a master of color.


Pears ala Cezanne

Donnavinesart.Etsy.com
Donnavinesart.blogspot.com


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 Most everyone in my home town made a living from the citrus industry, including my grandmother. Oranges and blossoms not only nourished everyone in the obvious way, but also provided a means of supporting their families.

Orange Blossoms, 6x8

Carmensart.etsy.com
Carmenbeecher.blogspot.com
Carmenbeecher.com
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I find that going for a walk with my camera nourishes my creativity. Sometimes I'll find something I've never noticed before like this simple little flower growing profusely in the drainage ditches near my house. I picked a few and took several photos. I looked it up when I got home and found it's called "rhexia."  By studying the photos and the plant itself I was able to build the colors and the plant parts in Adobe Illustrator. By making each item a symbol, I can then just drag the items where I want them to try to create an image I like. I'm still struggling with making something out of this one because I'm not crazy about the color combination - red and green with purple! But when I need inspiration, a walk is what works for me and my camera makes me really focus. (Click on an image to enlarge it.)


Studies of Rhexia
by Kathy Garvey

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Pears Florentine
Paper Collage
7 x 9


Pears have always been my favorite fruit. I love their taste, their shape and their color. I even delight in saying the French word poire,which is the perfect sound for them. Cindy Michaud's extensive collection of what I call pear portraits was my inspiration for this work. 
The collage is made from my collection of Florentine wrapping papers from a tiny, well hidden but well stocked paper store in the heart of the hustle and bustle of Florence. 

Fay Picardi

Friday, June 30, 2017

Pieces of Eight Painting Challenge #3 "Summer Celebration"

How do you celebrate summer?  Traveling?  Hamburger/Hot dog grilled dinners?  Fireworks?  A day at the beach?


Stephie

Nothing says summer in Florida like surfing.  As hot as it gets you can still be pretty "cool" riding the waves.  This is my granddaughter Stephie learning to surf several years ago.


5x7 Oil
Donna Vines

donnavinesart.Etsy.com
donnavinesart.blogspot.com






For me, nothing says summer like a nice dip in the pool! Ready, set, go!

"Ready for Summer"
Digital Image (Illustrator to Photoshop)
Kathy Garvey
www.Snailflower.etsy.com



Carol Schiff

"Mountain View"

In the summer, we head for the mountains, in an effort to escape the heat and humidity of Florida.  10 hours on I-95 and we exit to a different world.  Cool breezes and beauty abound.

6x8" Oil on Panel

www.CarolSchiffStudio.Etsy.com
www.CarolSchiffStudio.blogspot.com


Carmen Beecher
11x14 Collage on Panel

Purchase on Etsy

 This is my idea of summer, cooling off with two of my favorite things. I had not done a collage in a long time, so I really enjoyed doing this. Thanks to Fay Picardi for the magazine pages with those beautiful pinks. This is made entirely of torn magazines. 




Wild at Heart
oil, 7 x 5, $150
by Cindy Michaud - art@cindymichaud.com

Summer is all about being outdoors and finding wonderful surprises in the woods...like daisies that seem to pop up on their own.  This is where I'd open my picnic and rest a while; remembering how it felt when the days were long and we were children...wild at heart.






Sunflower
  After Georgia O'Keefe's
 Sunflower, New Mexico I, 1935
Fay Picardi

         In the past, I have done several paintings copying Georgia O'Keefe's sunflowers. This one brings back one of my favorite memories. I did it in a small cottage overlooking Lake Champlain where John and I were spending a month one summer. It is an acrylic painting done on watercolor paper. It is 22"x 30." Every time I look at it, I just smile. Thank you. Georgia. Next time, I will try a collage.



"Blue Pearl"
Oil on Canvas, 30" x 40"
by Jean Thomas

Nothing says summertime like being out in the boat on a gorgeous day, in the Keys.
I took some friends out off Marvin Key on a day when you couldn't tell the water from the sky. It was just that pretty, and calm. This is my friend Ann. Ann is always looking up, and ahead. The beginning of summer has that same feeling.... what's up, what's next!? 






Summer is a time to celebrate the ocean and sailing.  Wouldn't it be fun to be on a clipper ship sailing the seven seas?

  Mary Warnick.

Clipper Ship
Watercolor

Monday, May 1, 2017

Something New! Pieces of Eight Monthly Challenge #1 - IMAGINE

Our group has been together for many years, and like so many things, we have fallen into a rut!  So we have decided to bring some new energy to our days together.

We will be posting a monthly challenge the first week of every month.  Today is the first posting.

Our challenge is to create from the word "Imagine," and here are our results



Carol Schiff

Imagine there's no heaven
It's easy if you try
No hell below us
Above us only sky

John Lennon


8x10" Oil

www.CarolSchiffStudio.etsy.com

Cindy Michaud

Imagine it is Spring
Wow....just not too happy about snow now....why not January?!

16x20" Oil

www.CindyMichaud.com

Kathy Garvey

 Bird on Briar


"I like to paint little birds, but not totally realistic ones. I like to imagine what they would look like with decorative wings and designer feathers."

Donna Vines

Imagine if you had a learning tree in your yard.  Anything you were curious about, anything you wanted to know you could just go out, sit under the tree, close your eyes and you would know all about it.  The tree is really a connecting road all knowledge.  It starts at the tree but the roots bring all knowledge to all things.  I am always fascinated by how all things are connected, interconnected then connected yet again.
I thought it would be fun to imagine this as a collage.  After all it is paper and paper comes from trees as do pages which are always turning, leading us on to new things.

Collage

Fay Picardi

Collage

www.faypicardi.weebly.com


My daughter ask me to do a collage of how I imagined God would look. I gathered all of my favorite photos, most taken by me. I included pictures of my daughters and grandchildren, along with a few images from other sources. Then, I set to work cutting and gluing. I surrounded the canvas with my favorite definition of God from I Corinthians 13: 4-8. For me, this image is as true as I can create.

Jean Thomas

Watercolor

When I first saw the property on the Indian river that eventually became ours, one of the first things I noticed was hundreds of dragonflies zipping around above me. I thought, "this place is magical." And it was. 
I see these guys frequently, They land on the papyrus in our pond. My favorites are the magenta ones. Often I imagine, "what would it be like to be a dragonfly for a day?!"

What it would be like
to be a dragonfly
and soar to great heights!
To watch birds flying below,
and catch dinner on the go.

Carmen Beecher

Oil

When Carol challenged us with the theme “Imagine,” I immediately thought of dragons. I have long wondered why dragons abound in historic art and literature of so many nations on Earth, yet we have no archaeological evidence that they ever existed. Why would the same mythic creature appear in Sumeria, China, Greece, and practically every other exotic place you can think of? From Chinese dragons to St. George and the dragon, how did the same fantasy reptiles appear on opposite sides the the world, in cultures that didn’t know each other? Of course, the fact that the creatures are mythical makes them easier to paint because you are only limited by your imagination.

Besides my dragon question, I have also wondered this: If there are aliens on other planets, do they have their own fictitious superheroes?

Or maybe dragons?

www.CarmensArt.etsy.com



Mary Warnick

Watercolor

As we find travel difficult these days, we imagine ourselves at places we once enjoyed.  We can remember happy trips to the Keys and pretend we are there once again.

This painting is of my daughter at Key West.
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We hope you have enjoyed this post.  We always feel it is exciting to see how other interpret an idea.

We welcome your ideas of topics for future posts in comments below.



Ballard Park, Original Oil on Canvas

  I had not painted outside in two years, so this was quite a challenge. It was one of those paintings I had to improve upon in the studio. ...