Saturday, March 2, 2019

February Challenge - An Artwork Inspired by a Song or Poem

For our February challenge The Pieces of 8 were to create either a work of art based on a song or poem...or even a song or poem based on a work of art. How one meets the challenge is an individual choice. Here's how some of our members responded.
Carol's response to the challenge.

"A Call From Mother" by Carol Schiff
16x20" Oil on Canvas

A Pirate Looks at Forty
Mother, mother ocean, I have heard you call
Wanted to sail upon your waters since I was three feet tall
You've seen it all, you've seen it all
Watched the men who rode you switch from sails to steam
And in your belly you hold the treasures few have ever seen
Most of them dream, most of them dream
Yes I am a pirate, two hundred years too late
The cannons don't thunder, there's nothing to plunder
I'm an over-forty victim of fate
Arriving too late, arriving too late
I've done a bit of smuggling, I've run my share of grass
I made enough money to buy Miami, but I pissed it away so fast
Never meant to last, never meant to last
And I have been drunk now for over two weeks
I passed out and I rallied and I sprung a few leaks
But I got stop wishing, got to go fishing, down to rock bottom again
Just a few friends, just a few friends
I go for younger women, lived with several a while
Though I ran them away, they'd come back one day
Still could manage to smile
Just takes a while, just takes a while
Mother, mother ocean, after all the years I've found
My occupational hazard being my occupation's just not around
I feel like I've drowned, gonna head uptown
I feel like I've drowned, gonna head uptown
Songwriters: Jimmy Buffett
A Pirate Looks at Forty lyrics © Universal Music Publishing Group
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Carmen's response to the challenge.

 "Moon Over Miami"

 Moon over Miami,
Shine on my love and me,
So we can stroll beside the roll
of the rolling sea. 

Carmen Beecher

www.carmenbeecher.etsy.com
www.carmenbeecher.com

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Kathy's response to the challenge.
My time for art has been short since September. I've been traveling and also inventorying my Mom's household. She was a graduate of Moore Institute of art, mother of 9, and a talented artist and art teacher. Right now I'm inventorying her overflowing art bin that she gave me three years ago and was so full I never even tried to open it. Here's a look at just her silk screens completed between 1980 and 1986 when she decided to take some serigraphy courses at my old alma matter GWU.
While excavating, I found some prints that only had two pulls (most of hers had at least 15 and some up to 26). It was obvious she didn't finish. But they were printed perfectly and I found them inspiring. So instead of finishing my planned ode to Tchaikovsky's "Dance of the Young Cygnets" that I started for this challenge, I decided to turn on some Mozart...a favorite for both of us ... and watercolor on top of her silk screen. I should have known the oil based silkscreen ink would reject the watercolors! So, I pulled out some art markers and just let the music and Mom's original guide me.
On the left above is one of 13 similar prints I found. On the right is my marker effort on top of another of the same print after about 45 minutes. I wasn't sure if the circle towards the top left was intended to be the sun or a flower. But the music was playing and my markers were dancing away to it. It sort of looks like both. (I highly recommend something fast like markers for Mozart's music! If watercolor would have worked, I probably wouldn't have been able to keep up.) Below is the finished combination - "Me and My Mom on Mozart."  (Click on any image to enlarge it.)


*****
Donna's response to the challenge.

I have an old poster in my bedroom of Madame Butterfly.  She has survived many moves and style changes because I love this opera so much.   I see her every morning.  Her back is to me and she is gazing out thinking of all she gave up but  knowing in her heart that Pinkerton loves her and will return, sigh.  I am so used to her I didn't realize how powerfully the aria "un bel di vedremo" affects me and anyone else who has heard it until I saw a Gauguin painting which reminded me of my poster and that aria.  This young girl is sitting looking into the distance, alone amid a group of women. I can't help but wonder if her heart is breaking waiting for her American sailor to return.

Siesta after Gauguin

Donnavinesart.etsy.com
donnavinesart.blogspot.com


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Fay's response to the challenge.


Sunflowers 1877  Vincent Van Gogh
Metropolitan Museum of Art

For this challenge, I have reverted to my most insistent creative instinct. I have reversed the February challenge and written a poem based on a  painting.

Twin Towers 

Who can blame the sunflower?
Its energy, its inspiration,
its color, its form.
The way it reflects cultures.
Inspires painters, photographers.
Monet, Gaugin, O’Keefe. More.

In Sunflowers, 1877,
Van Gogh captured essence
with only two blooms.
Made beautiful the simple,
the imperfect, the spent.
Revealed the past is
always present in the future.

An image comes back.
Simply. High in the Alps,
my friends, my husband, me,
each in turn, set one foot on either side
of a low stone which still separates
Switzerland from Germany.

A field of Swiss cows,
their brass bells, their low bleating,
broadcast their heavy pleasure.
An endless field of sunflowers,
each head turning (gira sole)
to follow the sun.

How could we blame that field, that lullaby,
that feeling of a world at peace?
How could we blame that moment in time
for what was to follow?
Just another beautiful September day.
That is, until it wasn’t.

 Fay Picardi


 

1 comment:

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