Island Marketplace, Large Figurative Painting, 52x26x1.5" Original Painting

I consider myself to be a daily painter.  As a daily painter, most of my work is small, many times just 6x8".

 My painting today is a different story at 52" x 26".  Not my largest painting ever...but right up there.

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I enjoy painting large, but it does present other issues.  Framing or no frame?  Such a large piece means a large investment in framing....a frame your client may or may not approve.

Where do I store it?  Not everyone has the luxury of a spacious studio.  I am one of those people.  Since downsizing, I have even less space to store unsold artwork.

The logistics of painting such a large piece, is not to be ignored.  My aging knees protest at the thought of climbing up and down a step stool to paint.

So, this piece may continue to be one of my rare, larger efforts.

Thanks for reading my blog today.

Carol Schiff

www.CarolASchiff.com

www.CarolSchiffStudio.etsy.com

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Mountain Painting, Daily Painting, "Bird's Eye View" by Carol Schiff, 8x10" oil SOLD

This week's painting  on sale is a view of the beautiful Blue Ridge Mountains of western North Carolina.  I painted on canvas panel with a palette knife and got lots of texture in the scene.

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Cow Painting, Daily Painting, "Bovine Portrait" by Carol Schiff, 11x14 Oil on Linen

A client wanted a cow painting, for licensing purposes.  I usually do daily painting of still life or landscape, but I have to admit I enjoyed both the horse, they originally chose,  and this cow painting.

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I painted on Senso linen canvas.  I had a pad of the linen around for several years but didn't really know what to do with it.  I found it had a different texture than the cotton canvas I usually paint on, but once I got into the painting, it was fine.

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My next problem was what to do with this unstretched painting.  After surveying several friends, I mounted it on a cradled wood panel.  I was told the perfect glue to use is YES GLUE available at craft stores.  I had some in my stash and I have to say it worked like a charm.  Then I trimmed the edges with a exacto knife and it turned out perfectly.  Now I can use the rest of my Senso linen canvas with no fear!

So, today I stretched my limits, both with the Senso canvas and the cow painting, and luckily both worked out for me!


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Wildlife Painting, Daily Painting, "Great Blue Heron" by Carol Schiff, 11x14x1.5" Oil

It's always tricky trying to do a wildlife painting.  The tricky part is getting that perfect photo to work from.  With this daily painting, I got lucky!

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My group, Pieces of Eight, was touring Sebastian, Fl.  On the way home we made a quick stop at the riverside park in Grant looking for wildlife and other scenes.  I was out on the fishing dock and this beautiful Great Blue Heron was standing there on the railing, interested in stealing a fish from the fishermen.  He held his ground when I inched closer, and closer.  I got several good close-up shots.  This was my favorite pose.

detail
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I painted this in oil with palette knife and brush, on 11x14x1.5" gallery wrap canvas.  The sides are painted black.  I just love the substantial feel of gallery wrap canvases. If you are interested in a wildlife painting for your home, perhaps you will consider this one.

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Small Abstract Painting, Church Painting "The Safe Place" by Carol Schiff, 6x8" Oil

I have been dabbling with abstracts for some time, and now have started to add some structures to the mix.

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 I am always attracted to old churches, and this one is rather special.  It is a local landmark in our town.  I worked right next door for twenty plus years, so I saw it every day.  Now, it also serves as a cold weather shelter for the homeless.

I tried to focus on color interaction as well as texture and abstraction.  I am happy with the results. 


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Daily Painting, Rose Painting, "Plantation Roses" by Carol Schiff, 12x12x1.5" Oil

This daily painting is a result of my trip to Laura Plantation in southern Louisiana last summer.  Laura Plantation was just beautiful and I found these roses climbing a picket fence.  As lovely as it was, I felt a dark cloud hung over the place as the spirit of slaves were in the air.  The tiny slave cabins could not be ignored, nor the fact that the grounds were maintained by them also.

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In spite of that, it was an interesting tour and very informative too.  The staff were well educated in the plantations history and gave us much insight into life on the plantation.

Laura Plantation is a Creole plantation and not what you expect when the word "plantation" comes into your mind.  No big white house with huge pillars but a modest Louisiana home.  The big white house we all think of is from "American Plantations", which we also visited.  It was just what we had expected, but I found it very strange that "slaves" were hardly mentioned during our tour there.

All in all, it was an interesting and informative day and I highly recommend the trip.  Here is a link to Laura Plantation's website:  http://www.lauraplantation.com



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www.CarolSchiffStudio.blogspot.com