Showing posts with label home decor. Show all posts
Showing posts with label home decor. Show all posts

Wednesday, September 30, 2020

Challenge for September, Chickens

 The theme for this month's challenge is, simply, Chickens.

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Carmen Beecher's Chicken


Are YOU Talking to ME?

I love the comical look that chickens can have, and this one made me think of Robert di Niro's classic scene in Taxi Driver. Sometimes the title comes before the painting.

CarmenBeecher.blogspot.com
CarmenBeecher.com

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Kathy Garvey's Chickens
Rulers of the Roost  6"x16" Watercolor on 140 lb Cold Press Paper

I went and photographed chickens for this challenge, and sketched up my plans, but then ran out of time for painting as I'm prepping for a trip and will be out of town before the challenge ends. Since I haven't painted chickens in over twenty years, I had to dig deep to find a stand in for the challenge. Here it is...from 2001! 

More Watercolors and Home Goods at  www.snailflower.etsy.com.

Fabric Designs at http://www.spoonflower.com/profiles/kgarvey.

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Donna Vines Chicken


Miss Chicken 

12x14 collage


I used this beautiful paper that reminded me of eggs in a nest as the nest.


I wanted to do a collage chicken for my challenge.   Up until now I had only done landscapes or stationary objects, doing this was a great lesson in the difference between a living subject and a teapot. I am o.k. with my first attempt but am going to try again using my lessons learned. 

donnavinesart.etsy.com

Sunday, May 31, 2020

The Challenge for May: Abstract

Our challenge for this month is to do an abstract work of art.

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Donna Vines

I have always enjoyed looking at Abstract art but painting it is not easy.  It has to evoke an emotion, a feeling, something beyond a recognizable thing.  The more I thought about how to approach this the more I realized it is all in the colors to me.  I looked at several artists then looked through my photos to find a mood.  I finally chose a fall mountain scene because it looked so vibrant, alive and hopeful.

Vermont in the Fall
9x12 oil

Donnavinesart.Etsy.com


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Jean Thomas

This is an abstract landscape that I made up from a sketch. My purpose here was to experiment with watercolor and try to get a wide range of value. The original is about 7" x 9".





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Abstract was a totally new idea in the art world when painters attempted to render a piece with no recognizable subject matter. The goal was to provoke a certain feeling and most art enthusiasts just didn't get it. "Radical, my kid could do it, just paint thrown on" were some of the oft heard reactions.  While times have changed I'm one who will tell you that good abstract art is much harder than painting something we can all identify.  Try painting an emotion (and no fair using flowers or a sunshine.)  I can't really get there but it is fun trying.  My piece definitely has discernible objects in it altho my husband and I see totally different things.  Maybe I got closer than I thought!


14 x 11, acrylic
Cindy Michaud
art@cindymichaud.com

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"Love in the Time of Coronavirus"
6x8, acrylic

I am not an abstract artist, so I employed a little Jackson Pollock to this and dropped the paint on the board from about four feet. Then I enhanced the round blobs to resemble COVID-19. It was fun.

Carmen Beecher

carmenbeecher.comcarmensart.etsy.com

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Mary Warnick's Abstract
"Ocean Motion"

I have admired the work of John Salmonen for many years, especially his beautiful cityscapes.  Several years ago he gave a workshop in Melbourne and I signed up.  It turned out to be an abstract workshop.  It was very intensive and complicated.  I think he was trying to incorporate a few techniques into the process, including line drawing and the grid method of transferring an image.  Over time I tried simplifying, but stuck to his advise "if it starts looking like something, get rid of it before you fall in love with it".   This little watercolor is a very simplified version.

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Kathy's response to the challenge:
I love to doodle and when I have nothing in mind to draw, that's what I do. One of my favorite methods is to randomly draw two lines across a page or canvas and then fill them in . Below is my progress from start to finish on canvas. Then I took it into Photoshop to finalize it. Click on any image to expand it.


Moment of Impact
8x10 Acrylic to Photoshop
Kathy Garvey

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Hope is a Thing ...
Mixed Media Collage
by Fay Picardi

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One Percent
Denette Schweikert

This "painting" is the left side of the I am very beginning of a large 36" X 46" picture.  I am not very good at abstracts.  








Sunday, December 22, 2019

As the year winds down and I prepare for my sorta-annual bonfire of canvases that don’t make the cut of hanging around, I always feel a need to dream up some new challenges for a new year.  I can’t really articulate those yet but as I was studio cleaning I found a stack of unused canvases and some leftover interior wall paints that were way past their “use by” dates (kidding of course).  So I pulled them all out and tried to leave my comfort zone.
If you know my “work” then you know how far afield this is for me.  Colors, drips, splats and splotches.  Actually both pieces began with a “thing” in mind (that’s just me) but the more I got into it the more I began to have definitive ideas about where the next chunk of color should go, and whether it must be light or dark. I lost all concept of the “thing.”  And I began experimenting with tools: credit cards, sponges, chop sticks and gravity.  I even got out my spray bottle of water.

A friend stopped in and spent some time studying this one at an earlier stage.  She was trying hard not to insult me and yet still ask me where it was going.  “I’m not sure,” I answered honestly.  “Does it go vertical?” she ventured.  Same answer.  “But?” I explained that right now I was playing with color and shape and motion...not very well I might add.  In all likelihood I would end up sketching a large figure on it and then painting out the background.

She looked distressed and said “Do you mean you would then cover up all your hard work?”

 
I paused.  Not once had what I was doing felt like work.  Never mind, “hard work.” More like  child’s play, experimental efforts and exploration. But not work.  Which is not to say that some days painting something (like a nose or a hand or a flower) is and feels like very hard work.  But not this.

Why are we afraid to experiment? Why must everything we do have an expected, acceptable outcome? Folks are horrified that I burn old paintings.  Is everything you do perfect? How boring!  How will you know if you like a new spice if you don’t cook with it? Fabulous or failure, to me it is worth the effort.


So I’m not sure where these will end up.  They could be my artistic break through and earn me thousands of dollars. Or they could be numbers 1 and 2 in next years burn.  Right now it does not matter.  Perfection is the enemy of a lot of things.

Let’s all vow for a bit more play and a little less work in 2020.

Cindy Michaud

Monday, December 31, 2018

December Challenge, Mixed Media

Our challenge this month is to step outside our comfort zone and use various media together, or a medium we don’t normally use, to mix it up and have fun! Following is how each member met the challenge.
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Cindy's Response to the Challenge

No problemo for me...I was housebound due to knee surgery AND a major snowstorm. So I looked around at what was at hand and began working, out of my comfort zone, with some new medium which included q-tips, homemade ink, colored pens and eco-printed rejects. For the full story on this particular effort go to my blog here.



These are misprints from my eco-printing process making note cards.  I wanted to see if I could salvage them or at least have a little fun.  Using my homemade inks and then doodling with some colored pens I got the results below.  Not earthshaking art but I had fun experimenting with line and color and moving the eye around.  No idea what to do with them now....but that was not the challenge!!


Cindy Michaud - art@cindymichaud.com

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Donna's Response to the Challenge

I  really debated about which way to go on this challenge and decided to tackle watercolors again.  I  started out in watercolors, they looked so serene, so simple, so forgiving, so easy to use and carry. I was so wrong. They were none of these things except easy to carry. I was immediately reminded why I switched to oils and collage.
With someone of my temperament -- impatient, changeable, yada yada--watercolor is anxiety producing not calming. There is no going back, going outside the area, changing colors in midstream as you will see from my paintings.
Here are two pieces I did of  the same scene.  I really liked the first one I did, gentle colors, whimsical, spontaneous but then I decided to add a few trees behind the houses and it was just awful and I couldn't fix it! The second painting is more stick to the plan but looks labored and just lacks something.  Despite all of this I am going to try some more watercolors.  I liked doing it once I got lost in it and maybe I can learn to relax and stick to the plan.

 Scene 1: Notice how I tried to add the trees.
I even tried to turn the trees into mountains
but that didn't work.

 Scene 2:  No trees. Already one lesson learned but the
sense of spontaneity is gone.

Both scenes together.


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Kathy's Response to the Challenge


Collage is definitely not my media, so I saw this challenge as the perfect opportunity for me to use up some of the many parts and circuits I like to extricate from my old laptops. I searched for a couple of real beauties, mapped them where I wanted on my watercolor paper and started ruling some lines with Elegant Writer pens that I could wet to get some interesting starting shapes and colors.
9x12 Watercolor sheet with space for the circuits marked off
and Elegant Writer Pen lines sprayed with water.

I still have a data flow template from my programming days so I drew some symbols on the background and filled them and the background in with watercolors. To add some more "mixed media" I thought I would embroider with some really shiny special thread on the paper. Disaster! Slow, hard to keep my lines straight, and way too easy to snag the thread on the little barbs of the circuits. That little square one is sharp!
Definitely need to rethink the embroidery idea!

I actually love it when I think I've ruined something because then it doesn't matter what I do to it. So, I went to town with adding gold foil, white, gold and green-gold acrylic applied with a pin, colored pencils and things through stencils. Then I emptied my sewing machine of thread and by staying away from the circuits, I was able to stitch some straight lines to get perfect holes. Hand sewed them in with my fancy threads.

I used a micron pen to add a little Hello World code in Basic, Cobol and Pascal (that tells you how old I am). Topped it off with more watercolors and colored pencils. Fun, fun, fun! I have to sign it, name it and put it out of sight so I don't keep adding more stuff to it! 

May the Circuit Be Unbroken
Mixed Media, 9x12
by Kathy Garvey
Just for fun I started another watercolor collage using a really old circuit. I was barely in to it when my oldest daughter decided she loved it. I added some things meaningful to her in some of the circles and kept it much simpler than the other.

Crossed Circuit
Mixed Media, 9x12
by Kathy Garvey
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Carmen's Response to the Challenge


 Woman in Gold
Mixed Media, 11x14
by Carmen Beecher

Having just been to Vienna, I had Klimt on the brain, so I used the challenge as my excuse to use gold gesso, gold acrylic paint, stamps, pen and ink, and oil paint in a Klimtish manner. I painted the face in oils, then just went a bit crazy with the rest of it. I had noticed that with Klimt, too much was not too much. None of that "less is more" nonsense, although I didn't completely cover the canvas with designs. I didn't want her face to get lost.
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Carol's Response to the Challenge.

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I packed up in November and left my North Carolina home, heading south to the beaches of Florida.  The plan is to stay in a beachside condo until the mountains become a little more hospitable......meaning warmer!

Even though, we packed two cars to the gills, I could not bring everything I wanted or thought I needed.  As a result, the only art supplies I brought were my oils.

Why am I telling you this?  I am feeling a little guilty, for not doing a new project for the challenge, but showing you one of my past adventures into other medias.



These are two tiles, painted with alcohol inks.  A few months ago, I became quite interested in working with alcohol inks and experimented with them on several supports.  These are two of my early efforts.  Nothing special, but I do like the colors, and this challenge has re-ignited my interest in this process.  I cannot wait to return home, to my studio, to dig out my inks and further my experiments with them.

Carol Schiff
www.CarolSchiffStudio.Etsy.com

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Fay's Belated Response

Ink drawings with water color wash were how I started my limited art career. I drew and colored very simple wild flowers. No depth, no detail, but lovely colors. I haven't attempted those in years, but thought I would take up the medium again for this challenge and try to apply it to a scene from our hotel window on a recent trip to San Juan, Puerto Rico. Below is the first attempt at a watercolor with ink drawing that tries to capture the San Juan Bautista Cathedral. After this feeble attempt, I decided I should take a photo and try again at home. The third work is a my attempt at an ink drawing with a wash. I have a long way to go to perfect my drawing skills, not to mention to conquer watercolors, but I had a lot of fun doing this challenge.


























Jean's Response to trying a different media

What are these images (below), you may ask? 
Well, take some blank, white, quilted pot holders. Hmmm, what to do with them? Gifts? Yes!
Get some acrylic paint, white glue, permanent marker, and a little creativity. 
My goal in choosing a new medium is to use the glue as a resist, then paint the surface with acrylic. Once dry, remove the glue. (see the third image) That proved a challenge. So then I concentrated on drawing on the quilting with a permanent pen. 
Still have more holders and I'm determined to find a better resist. Any suggestions? 
Happy New Year! 




Friday, June 1, 2018

Challenge for May, Creating a Pattern from a Piece of Art

Kathy Garvey taught us how to create patterns from our paintings in Adobe Capture, and it was quite kaleidoscopic. It's a different kind of challenge.

This is the pattern I created:


Below is the original painting, a watercolor called "Cosmos (sold)."



 Carmen Beecher


This was a really interesting challenge.  Here is my pattern with the original painting.  I would never have guessed I could make this pattern from this painting.  It was fun to play with.





donnavinesart.etsy.com
donnavinesart.blogspot.com


This was a sketch from one of my sketchbooks. So here goes with Adobe Capture.
I could see how these could be adapted to patterns on cloth.
Here is the pattern derived from the sketch, above.
Jean Thomas
Ozworks22@cfl.rr.com



I love making patterns so I was quite happy when the group agreed to give this challenge a try. Below are my patterns for this blog entry all created using a watercolor done on our recent trip to Silver Spring. The top image is of patterns created with Adobe Capture, a free and quite wonderful application available for your phone of Ipad. The second example is from Adobe Illustrator. I frequently use it or Adobe Photoshop for my patterns that I then print to fabric at Spoonflower.com. While Capture is fun and quick, it is limited to just a few kaleidoscope type options. The other two tools offer endless design possibilities. (Click on any image to enlarge it.)


Kathy Garvey



Here Comes Another One (or two or more)



Not one of the techies in the group, I nonetheless gave Adobe Capture a try. Got a bit carried away. There are thousands of possibilities with just one photo. Here are two of my designs based on Kathy's extraordinary leaves and Denette's incredible painting. Lucky me.

 Try zooming in on the designs. I love how intricate they are. 
  Design 1




Design 2
Fay Picardi

Saturday, December 19, 2015

Teapot Lamps, teacup lamp, repurposed lamp, home decor, lighting, shabby chic decor, Throwing a little light on the subject.......

In the past few months, I started a new little project, which I wanted to share with you today.  Hope you enjoy them.

Purchase here

I am making lamps from new and vintage teapots, cups and saucers.

Purchase here
Each one is unique and one of a kind.  They will never be duplicated.

Purchase here

This is actually a family project with my husband, my sone and my daughter-in-law.  Family makes it special and all the more fun.



This is our display, ready to go in a local vintage store.

I have shown you just a sampling of the adorable one of a kind lamps .  To view them all click here:

As special as these are, we can make them even more special, by making a lamp just for you.  If you have a few pieces of your wedding china, or maybe your grandmother's, or just something you love, we can make a custom lamp just for you.  Contact me through this blog, or my Etsy store.

Have a fun day today!



www.CarolSchiffStudio.blogspot.com

Ballard Park, Original Oil on Canvas

  I had not painted outside in two years, so this was quite a challenge. It was one of those paintings I had to improve upon in the studio. ...