If you are a fan of home improvement shows, you will know who this is.
Carmen


The final sketch below is a try at graphite transfer. I wish I had known about this technique BEFORE I spent hours trying get the cabin above in proper prospective. This discovery may have change my whole approach to art!![]() |
Fay Picardi *****************
Kathy: Below is my response to the challenge. I love drawing with Micron Pens on good watercolor paper. This drawing was inspired by a leaf found in a cluster of similar leaves in an open field. I was on a one month artist's vacation in a beautiful cabin at the Furnace Mountain Zen Center in Kentucky. Surrounded by woods, I got to hike, paint and draw every day. I thought the leaf was just a beautiful dandelion leaf. There was no stalk or flower. But later I checked online and through several field guides, and it is most likely a young leaf from a milk or bull thistle.
Kathy Garvey
spoonflower.com/profiles/kgarvey
••••••••••••••••• Jean: I love black and white. My sketchbooks are full of ink/Pitt pen drawings. Black and white forces you to simplify to achieve tonal variation. The drawing below is of my son Chris, underwater. He loved swimming. I found an old snapshot of him from one of those throwaway, underwater cameras. So I sketched him! Jeanie Thomas ozworks22@cfl.rr.com |
| Silver Spring, Florida - Leaves around Cabin, from sketchbook Nov. 14, 2017 See more at www.snailflower.etsy.com |
| Teapot Donnavinesart.Etsy.com Donnavinesart.blogspot.com |
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| purchase here As a result, I am trying to drastically reduce my inventory. Thank you dear readers, for your support of my art in the past, and your response to my sale. The results are heartwarming! |
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Today I am posting a few of my favorites that are still available. With the upcoming holidays, .
it's the perfect time to get a head start on your gift list or your wish list, and I promise you, it will be a great VALUE!
www.CarolSchiffStudio.blogspot.com
Fay...
As a basis for the poem Quilting
from the Outside In in my collaboration with George Snyder for the Transformations project, I used this photo by
Bob St. Claire. After almost 20 years, beat up and faded, it is still one of my
favorites. Whenever I look at it, I am taken back home to the mountains where
my ancestors settled in the 1700s.
For this project, I have revisited this photo to enjoy
working with it again. Value has never been my forte. In fact, even when
concentrating on it, I still have trouble making those subtle distinctions in
shading. I’ve been thinking more practice might help. So I started by making a
black and white copy of the photo.
Now onto the value study.
I chose an old piece of cardboard, which was not a wise choice. However, I
proceeded and here it is. I’m somewhat satisfied that I have captured the
depth. In any case, I have enjoyed the journey and hope in the future to try fabric collages
with an abstract version of these comforting old friends.
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I had not painted outside in two years, so this was quite a challenge. It was one of those paintings I had to improve upon in the studio. ...