Showing posts with label paper. Show all posts
Showing posts with label paper. Show all posts

Wednesday, April 12, 2017

Annie and Max

After talking to one my fellow Pieces Fay, I have been in a collage state of mind.  She had just finished a really wonderful collage that she had been working on for quite awhile, we couldn't help comparing notes about all of the papers, bags, wall paper samples, magazine photos, fabrics, buttons, yada, yada that we have collected over the years. Each piece is special in that it just had to be saved for that someday I will use this, special moment  Collages are a great way to use these treasures.
Here is a small starter of a pet sheep we used to have named Annie and her first lamb Max.  It is not quite done, I am still working on the legs and background but I thought it would be fun to post.
Donna Vines

Monday, July 9, 2012

Spoonbill Collage, 10x10

I rendered this same guy in oil, and I thought he would make a nice collage. Mixing colors on a palette and mixing them in scraps of paper are two different things. Sometimes the values are determined by the text or designs I find. In the outspread wing I was just stumped until I used red-on-white text, which gave me just the value I wanted.
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posted by Carmen

Saturday, August 20, 2011

TOUR EIFFEL, 11X14, ORIGINAL COLLAGE


I went to Paris this summer, with my friend and fellow artist, Donna.  It seems the right time to post my collage .  Donna and I have gotten interested in collage work and occasionally spend a few hours surrounded in piles of paper and glue. We came home from Paris with huge sacks full of "all things French" to incorporate into our collages.  But, life got in the way and so far we have been unable to give it a try.  Here's hoping that soon we will both get in a "collage frame of mind" and continue down the road of paste and paper.

There are some interesting papers in this piece, so I encourage you to enlarge the image.

Purchase here
$120
Carol Schiff Studio

Ballard Park, Original Oil on Canvas

  I had not painted outside in two years, so this was quite a challenge. It was one of those paintings I had to improve upon in the studio. ...